I knew before walking into the gallery that the images greeting me would be spectacular. Even in their mini version online they are captivating: complete, compelling and fulfilling. Rendered large they command the space, emanating a sense of wonder at the beauty that exists on our planet. The lines and color and juxtaposition of hues at once capture a very specific moment in time as well as an eternity, an enduring sense of timelessness. Photographer Seth Resnick talks about his interaction with his subjects both human and not, the exchange of energy that he allows and encourages. This reflects in the mages that emerge. They are rich, full of intention and respect. Paired with glass sculptures by master Peter Bremers, which offer a gorgeous complementary interpretation of similar themes, the exhibit is an extraordinary treat.
I am reminded of a long ago tennis instruction to swing through the ball, not to just meet it. Using the body and a full swing gives the ball much more power and impact. Same with music. Even with an instrument such as piano, where the notes are struck, one can imbue deep meaning by allowing emotion to flow through and convey feeling.
So too, with the click of a shutter a great is transmitted which draws upon selection, pattern, and a sense that is only developed through experience and constant attention.
The added dimension of delight in this exhibit is that I have known Seth since birth. Our mothers were friends who started a preschool when we were three (which we evidently ruled until we left for kindergarten). We spent many contented hours at play and I recall Seth’s passion and zeal for whatever he did. His fascination with rocks was evident as a child and he used the tumbler to polish the stones to a glittering shine. We dragged lawn chairs in front of the house at night to gaze at the sky, and this early devotion to the natural world has clearly carried through to the work he produces today. Seth worked at a pet store as a teenager and created elaborate fish tanks at home, perhaps nurturing his eye for color, form and pattern.
Most fun all is that although we were largely not in the same classes in our enormous high school, we both took photography for the first time as seniors. Our overcrowded school was on split sessions and there were a number of us who enjoyed countless unscheduled hours in the lab perfecting our prints. Who could have known that this nascent time experimenting in photography would be the thread that would power Seth’s career. My own experience in the darkroom was that time became irrelevant, and I would often find that hours elapsed before being willing to stop and take a break.
Seth’s singularity of focus, dedication to his craft, and eagerness to engage with the world have coalesced in the sophisticated artist he is today. His continued fixation with light, texture, shape and openness to understand what he encounters distill the images to exquisite, dramatic moments.
Visiting his exhibit at the Sohn Gallery in Lenox was a deeply satisfying look at a prolific and influential leader in photography today. And for me, it was a reconnection with my childhood pal and seeing how the exuberance of youth, nurtured and developed by family and education can illuminate a path to international expertise. It inspires us to be the best of who we are, open to possibility, embracing opportunity with the confidence that new experience determines who we can be as much as we influence what we find. It doesn’t get any better than that.
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